Synopsis "Essay'd 3: 30 Detroit Artists (Painted Turtle) (in English)"
Essay'd 3: 30 Detroit Artists is the third volume in a series of collections that present short, illustrated essays about artists who live and work in Detroit or who have participated in the Detroit art scene in an important way. Stemming from the popular website of the same name, Essay'd 3 seeks to introduce readers to new insight and a fresh perspective on the city's contemporary art practitioners. The arts writers behind the original Essay'd-a professor, a gallerist, and a critic-are joined in Essay'd 3 by twelve guest writers. This remarkable multiplicity of voices enlarges and enriches the overall scope of this ambitious project as it grows to become ever more inclusive of Detroit's astonishingly rich and diverse art community.Essay'd 3 offers thirty new profiles of artists both well-known and under-the-radar. Each artist is profiled by a writer with an avowed interest in and enthusiasm for that artist's work and each essay takes into account biography, context, interpretation, and analysis of individual artworks. Certain themes emerge in this collection, including a turn toward more performing artists, as well as a recurrent concern with the use of the body as a surrogate for social conditions. Some of the artists highlighted in this volume include Richard Lewis, a portrait painter and "keen-eyed explorer of souls and their discontents"; photographer Lauren Semivan, who works in serial aggregates of thirty or more black-and-white images, shot with an early twentieth-century, large-format, tripod-mounted camera; experimental performance artists The Hinterlands (Liza Bielby and Richard Newman); and Tom Phardel-sculptor, ceramist, and curator-who has served as teacher and chair of ceramics at the College for Creative Studies for thirty years.With renewed regional, national, and international on to Detroit and its creative culture, it is more important than ever that the evolving and vital work of the city's artists be documented and made known to the wider public. Art lovers and regional history buffs will appreciate this continued conversation.
