Paul Bowles: In the American Grain (Studies in American Literature and Culture) (in English)
Synopsis "Paul Bowles: In the American Grain (Studies in American Literature and Culture) (in English)"
Paul Bowles has often been considered a cult writer, a literary renegade: he lived more than fifty years as an expatriate in Morocco, and according to Norman Mailer, his works "let in the murder, the drugs, the incest, the call ofthe orgy, the end of civilization." In recent decades Bowles has found greater acceptance as a serious writer, as evidenced by the two-volume, 2,000-page Library of America edition of his works published in 2002. Still, he has rarely if ever been seen as having written in the antinomian tradition of Emerson and his literary descendants. The present book makes the case for doing so by demonstrating basic Emersonian attitudes and objectives in Bowles' lifeand works, especially in his focus on human consciousness and perception and on the need for the individual to escape from the trammels of social and cultural conditioning. Bowles' intellectual pursuits seem to have developed at first from his own spontaneous attitudes, which were then reinforced by his conservative and individualistic New England background on both sides of his family and deepened by a serious study of anthropology, Emersonian transcendentalism, and related "Oriental" thought such as the theosophy of Krishnamurti. Despite his half century in Tangier, Bowles is a writer who is thoroughly "in the American grain."Table of ContentsAbbreviationsAcknowledgmentsPrefaceIntroduction: Paul Bowles as a Canonical WriterPaul Bowles on Intercultural Understanding: Too Far from HomeThe Discovery of Existence: Without StoppingEmersonian ShadowsCulture and Existence in Bowles' Short FictionGide and Bowles in North Africa: The Sheltering SkyLanguage, Noise, Silence: Self and Society in Let It Come DownThe Spider's House: The Social Construction of RealityExistence and Imagination: Up Above the WorldThe Letters: In TouchConclusionBibliography
