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Music in North-East England, 1500-1800: 27 (Music in Britain, 1600-2000, 27) (in English)
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Synopsis "Music in North-East England, 1500-1800: 27 (Music in Britain, 1600-2000, 27) (in English)"
Music in North-East England provides a wide-ranging exploration of musical life in the North-East of England during the early modern period. It contributes to a growing number of studies concerned with developing a nationwide account of British musical culture. By defining the North-East in its widest sense, the collection illuminates localised differences, distinct musical cultures in urban centres and rural locations, as well as region-wide networks, and situates regional musical life in broader national and international contexts. Music in North-East England affords new insights into aspects of musical life that have been the focus of previous studies of British musical life - such as public concerts - but also draws attention to aspects that have attracted less scholarly attention in histories of early modern British musical culture: the musical activities and tastes of non-elite consumers; interactions between art music and cheap print and popular song; music education beyond London and its satellite environs; the recovery of northern urban soundscapes; and the careers of professional musicians who have not previously been the focus of major published musicological studies.Table of ContentsIntroduction - Kirsten Gibson and Stephanie Carter and Roz Southey'All Mynstralles betwene the Ryvers of Trent & Twede...yerely resorte vnto this towne and Borough of Beverley': Examining the Evidence for Beverley as the Late-Medieval and Early Modern Centre for Professional Musicians in the North-East - Diana WyattRecovering the Soundscape of pre-Reformation Newcastle upon Tyne - Magnus WilliamsonThe Selection, Acquisition and Performance of Handel's English Odes and Oratorios in Mid-Eighteenth-Century Durham - Matthew GardnerCompositional Activity in Durham City 1750-1810: Its Influences and Impact - Simon D. I. Fleming'I esteem my lot fortunate, in residing in this happy country': Edward Miller, Social Networking and Music Making in Eighteenth-Century Doncaster - Christopher RobertsThe York Antiphonal: History, Liturgy and Use in the Late Fifteenth Century - Eleanor WarrenTunes for Violin or Recorder Collected in North-East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB-Lbl Add. MA 17853) - Andrew WoolleyFrom Newcastle upon Tyne to Colonial Carolina: Transatlantic Tune Transmission and Durham Hills's The Cashaway Psalmody (1770) - Stephen A. MariniSchoolboy Performance in the post-Reformation North-East - Amanda Eubanks WinklerAmateur Music Making Amongst the Mercantile Community of Newcastle upon Tyne from the 1690s to the 1750s - Stephanie Carter - Kirsten GibsonThe Household Band of the Bowes of Gibside, County Durham, 1722-1760: Configuration, Repertoire, Training and Use - Roz SoutheyWilliam Shield's A Collection of Favourite Songs (c.1775) - Amélie AddisonBetween the Broadside Ballad and the Folksong: Print and Popular Songs in Eighteenth-Century Newcastle upon Tyne - Barbara Crosbie'Canny Newcassel': Marshall's Musical Metropolis of North Britain - Oskar Cox Jensen
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All books in our catalog are Original.
The book is written in English.
The binding of this edition is Hardcover.
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