Libros importados con hasta 50% OFF + Envío Gratis a todo USA  Ver más

menu

0
  • argentina
  • chile
  • colombia
  • españa
  • méxico
  • perú
  • estados unidos
  • internacional
portada East End Jews and Left-Wing Theatre: Alfie Bass, David Kossoff, Warren Mitchell and Lionel Bart (in English)
Type
Physical Book
Language
Inglés
Pages
208
Format
Hardcover
Dimensions
23.6 x 16.0 x 1.8 cm
Weight
0.41 kg.
ISBN13
9781912676354

East End Jews and Left-Wing Theatre: Alfie Bass, David Kossoff, Warren Mitchell and Lionel Bart (in English)

Isabelle Seddon (Author) · Vallentine Mitchell · Hardcover

East End Jews and Left-Wing Theatre: Alfie Bass, David Kossoff, Warren Mitchell and Lionel Bart (in English) - Seddon, Isabelle

Physical Book

$ 73.06

$ 121.77

You save: $ 48.71

40% discount
  • Condition: New
Origin: United Kingdom (Import costs included in the price)
It will be shipped from our warehouse between Wednesday, July 17 and Friday, July 26.
You will receive it anywhere in United States between 1 and 3 business days after shipment.

Synopsis "East End Jews and Left-Wing Theatre: Alfie Bass, David Kossoff, Warren Mitchell and Lionel Bart (in English)"

Alfie Bass from the Lavender Hill Mob, David Kossof, star of stage, screen, and radio, Warren 'Alf Garnett' Mitchell, and Lionel Bart, who wrote the theme to Moonraker and numerous show tunes, all started their careers at London's Unity Theatre. Here Isabelle Seddon examines their careers and what influenced the creation of their Jewish Cockney personnas. Jews have played a hugely important role in the entertainment industry, including in the United Kingdom. This book is the first study of second-generation Jewish immigrants from Eastern Europe who took part in left-wing political theatre in Britain during the first half of the twentieth century. It explores how the seeds were sown in the East End of London producing those of the calibre and global significance of, amongst others, Alfie Bass, David Kossoff, Warren Mitchell, and Lionel Bart. First they joined the innovative and radical Unity Theatre, which contributed greatly to British drama and not just that of the left. These men became famous for their 'Cockney' persona. The book explores the remarkable changes that occurred during the interwar period, which despite antisemitism including in its organised fascist form, enabled their confidence to identify as Jewish Cockneys in the post-war era and to be accepted as such in non-Jewish society. This study thus provides a unique insight into the Anglo-Jewish community and the British entertainment history through the twentieth century using concepts such as class, race, religion, gender, and performance throughout.

Customers reviews

More customer reviews
  • 0% (0)
  • 0% (0)
  • 0% (0)
  • 0% (0)
  • 0% (0)

Frequently Asked Questions about the Book

All books in our catalog are Original.
The book is written in English.
The binding of this edition is Hardcover.

Questions and Answers about the Book

Do you have a question about the book? Login to be able to add your own question.

Opinions about Bookdelivery

More customer reviews