Synopsis "Bog-Myrtle and Peat (in English)"
Excerpt from Bog-Myrtle and Peat: Tales Chiefly of Galloway, Gathered From the Years 1889 to 1895 There is a certain book of mine which no publisher has paid royalty upon, which has never yet been confined in spidery lines upon any paper, a book that is nevertheless the Book of my Youth, of my Love, and of my Heart. There never was such a book, and in the chill of type certainly there never will be. It has, so far as I know, no title, this unpublished book of mine. For it would need the blood of rubies and the life of diamonds crusted on ivory to set the title of this book. Mostly I see it in the late night watches, when the twilight verges to the cock-crowing and the universe is silent, stirless, windless, for about the space of one hour. Then the pages of the book are opened a little; and, as one that reads hungrily, hastily, at the bookstall of an impatient vendor a book he cannot buy, so I scan the idylls, the epics, the dramas of the life of man written in words which thrill me as I read. Some are fiercely tender, some yearning and unsatisfying, some bitter in the mouth but afterward sweet in the belly. All are expressed in words so fit and chaste and noble, that each is an immortal poem which would give me deathless same - could I, alas! but remember. Then the morning comes, and with the first red I awake to a sense of utter loss and bottomless despair. Once more I have clutched and missed and forgotten. It is gone from me. The imagination of my heart is left unto me desolate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
